Introduction

Winemaking: The Continuation of Terroir by Other Means.®

Welcome to the Amalie Robert Estate Farming Blog, aka FLOG. By subscribing, you will receive regular FLOGGINGS throughout the growing season. The FLOGGING will begin with the Spring Cellar Report in April. FLOGGINGS will continue each month and detail how the vintage is shaping up. You may also be FLOGGED directly after the big Cluster Pluck with the yearly Harvest After Action Report. Subscribe now and let the FLOGGINGS begin!

Rusty

"This is one of the Willamette Valley’s most distinguished wineries, but not one that is widely known."

- Rusty Gaffney, PinotFile - September 2016

Josh

"Dena Drews and Ernie Pink have been quietly producing some of Oregon's most elegant and perfumed Pinots since the 2004 vintage. Their 30-acre vineyard outside the town of Dallas, abutting the famed Freedom Hill vineyard where Drews and Pink live, is painstakingly farmed and yields are kept low so production of these wines is limited. Winemaking includes abundant use of whole clusters, which is no doubt responsible for the wines' exotic bouquets and sneaky structure…"

- Josh Raynolds, Vinous - October 2015

David

"...Dallas growers Dena Drews and Ernie Pink... showed me this July three of their reserve bottlings and thereby altered my perception of their endeavors. Since these are produced in only one- or two-barrel quantities, they offer an extreme instance of a phenomenon encountered at numerous Willamette addresses, whose really exciting releases are extremely limited. But they also testify, importantly, to what is possible; and what’s possible from this site in these hands revealed itself to be extraordinary!... And what a Syrah!"

- David Schildknecht, The Wine Advocate - October 2013

Wine & Spirits

"Finding that their whole-cluster tannins take some time to integrate, Pink and Drews hold their wines in barrel for up to 18 months - so Amalie Robert is just releasing its 2008s. And what a stellar group of wines: Bright and tart, they possess both transparency and substance, emphasizing notes of rosehips and sandalwood as much as red berries. The pinot noirs alone would likely have earned Amalie Robert a top 100 nod this year. But the winery also produces cool-climate syrah that rivals the best examples from the Sonoma Coast. And the 2009 Heirloom Cameo, their first attempt at a barrel-fermented chardonnay, turned out to be one of our favorite Oregon chardonnays of the year. Ten vintages in, Amalie Robert has hit its stride."

- Luke Sykora, Wine & Spirits Magazine – September 2011

Copyright

© 2005 – 2017 Amalie Robert Estate, LLC

Thursday, April 23, 2015

Amalie Robert Estate: 2015 Spring Cellar Report

Hello and Welcome,

This is the 2015 Spring Cellar Report from Amalie Robert Estate in Dallas, Oregon.

We have just been “Advocated.” And as it is the case with most things, this is not inherently good or bad. We have been Advocated before, and it was pretty good. In fact, we liked it so much we would like to share it with you here:

"...Dallas growers Dena Drews and Ernie Pink...showed me this July three of their reserve bottlings and thereby altered my perception of their endeavors. Since these are produced in only one- or two-barrel quantities, they offer an extreme instance of a phenomenon encountered at numerous Willamette addresses, whose really exciting releases are extremely limited. But they also testify, importantly, to what is possible; and what’s possible from this site in these hands revealed itself to be extraordinary!"

That was last time. And it brought with it a 94 point review for our 2007 The Reserve Pinot Noir. It’s worth mentioning that the 2007 vintage is rated as 84T in the eRobertParker Vintage Chart. It is also worth mentioning that 94 was the top score awarded for the vintage.

Here is this time with a different reviewer: “…Amalie's Cuvée Pinot Noir 2010 showed some lovely varietal expression that you might well mistake for a good Pommard. Their Syrah Satisfaction 2011 lived up to its name during my tasting that did not fully convince me that the variety has a home in Oregon, while their Heirloom Cameo Chardonnay 2011 was one of those "minimal" varietals that you have a sneaky suspicion will age with ease. I think there is better to come as those vines increase in age and knowledge deepens, but broadly speaking this was a good show.”

As most of the wine consuming inhabitants of this planet know, The Wine Advocate is an institution. It was founded by a dedicated man with passion and unquestionable morals. For several years, he alone tasted and reviewed wines accepting no advertising revenue whatsoever. There could never be any suggestion that his reviews were anything other than his objective opinion. Whether you agreed with his opinions or not, they were as true to him as the day is long.

Things change. Today the Wine Advocate (under different management/ownership) has more than a single voice and a few of those voices have recently changed. Some of the world’s wine regions have found themselves with different wine reviewers. Oregon is one of them, and now shares a reviewer with Bordeaux. At this juncture it is important to remember the words of Dr. Kaufman, “Wait! I’m just a professional doing a job.”

Tomorrow never dies and this institution will survive. Whether you preferred Connery to Craig, or Kirk to Picard, there will always be a familiar place for “007” and the Captain ofthe Enterprise. And that is why there are all kinds of wine reviewers for all kinds of wine consumers.

Vintages change. In fact the only constant in the wine world seems to be change. Take climate change for example. Is that inherently good or bad? And the ‘tator, same question. And if you are not reading the “Hosemaster of Wine” from time to time, you are taking this wine thing a little too seriously. Honestly, you have to accept the fact that some people have a palate for wine like Van Gogh had an ear for music.


There will eventually come a day when we will no longer personally farm our 38 lineal miles worth of vines. We will then be looking for someone who shares our values and that can carry on the stewardship of our land. As we look toward that eventual change we can, in some respects, see what Mr. Parker had been searching for. Change is hard.


Enough of the glib remarks, let’s get to the cellar!

When the barrels are first filled they hold the promise of the vintage. Those young wines are the vines’ response to the ever changing climate and the actions we took in growing them. They are inherently good.

While it is hard to see, there is a tremendous amount of work happening below grade. Our barrel room is ensconced in about 1,200 tons of concrete. Here our wines will mature in barrel until Dena or Ernie start attributing them to certain blends.


Over time the barrels allow a small amount of air to pass through the staves and reach the wine. This “micro oxidation” will have the effect of slowly maturing our whole cluster fermented stem tannins and integrating the aromas, flavors and textures. New oak barrels will also impart a flavor into the wine. Someone once called new oak barrels “catnip for humans” and we can understand that. New wood is inherently good, and expensive.

However some of our most incredible experiences have been with wines from barrels that have long lost their expression. The barrel becomes a transparent vessel that allows the wine to be the focal point. In that wine, at that moment, you experience the purest expression of the vintage.

Blending is our final act of wine growing. After that, it is just filling bottles and stuffing corks in them. Yeah, put a cork in it… Somebody’s got to do it. And since we do that work in house, Dena ends up with that chore.

As we begin to taste our Pinot Noirs from barrel, we are cognizant of David Lett’s words from so many years ago “…it should be approached like a beautiful woman – with respect, some knowledge, and great hopes.” This year we celebrate the 50th anniversary of David and Diana Lett’s Pinot Noir planting in the Willamette Valley. Thank you.

It is remarkable how each barrel of wine can be so similar and yet have nuances all its own – no two are ever the same (somewhat like corks, but we will get to that soon enough.) Some aromas and flavors tease at the edge of your perception. They exist only for a moment and then are available to you only as a memory. And they seem to be for you and you alone. Some people, like Dena, can taste in color. Wine is a uniquely personal experience.

Once this discovery phase has been completed, we each locate our individual favorite barrels of wine. Once we find them we mark the barrel head with chalk and exclaim “Mine!” This is also inherently good.

The wonderment ends and the puzzlement begins when we try blending our favorite barrels together. You know instantly when something has gone awry. What happened to the magic? That finish is all wrong! Did you pull the right barrel? It becomes trial and error, barrel by barrel.

But when it is good, it is soooooo really good. And while we are clearly experiencing our own individual nuances, we know how good it is for the other. Yeah, let’s do that again… right now! This is when you experience the transformation of a recreational beverage into a procreational one.

Then the strangest thing happens – Bottle Shock. Right after bottling the wine seems to go dormant. There is no aroma or flavor and it is all a juxtaposed mess. It seems coming out of a 225 liter barrel, being mixed up with a bunch of other wine and then gravity filled into a 750 milliliter bottle and topped off with a bit of tree bark can put a hitch in your get along.

But after a few months time the magic reemerges and the process of bottle maturation can begin. While the experience of blending is committed to memory, bottle maturation is a whole new journey. The micro oxidation that occurred in the barrel is now occurring through the cork, but (hopefully) at a much slower rate. This bottle maturation process lasts years and can transform a brash young wine into a suave and refined experience. This is not unlike the aging of some men.

That is if you are using a bit of tree bark that will let in an undisclosed amount of air to help soften and mature the wine. Cans, synthetics and screw-offs are another matter and are left as an exercise for the reader.

There are plenty of things to know, and if you want to know most of them you can just use Google. In fact you can Google people, like Parker. And you can be Googled, just like you can be Advocated. Been there, had that done to us.

But one thing you cannot know is how much air is going to go through that cork to meet up with the wine. But you can know the reason that you cannot know. The reason you cannot know how much air is going to go through that cork to meet up with the wine is that the cork is a unique, one-off piece of tree bark. Until you test it “in situ” you can never know. And once it is tested, it cannot be used again. This is called DPA or Destructive Physical Analysis. Sadly, and to the detriment of the bottom line, DPA is also used to diagnose farm equipment problems. Google it if you like.

This is one reason why cans, synthetics and screw-offs are so popular (low cost is another.) You can know how much air is going to meet up with the wine. Cans seem like a no brainer, literally. There is no air getting to the wine. Synthetics and screw-offs, however pose a different challenge.

It is like posing a simple arithmetic question to an attorney and instead of getting a number, you get this response instead, “Well, what number would you like it to be?” Since we are humans, we have developed these closures in such a manner that allows some air to pass through them and interact with the wine. The question is, “How much should that be?”

How much air do you want to pass through to the wine and over what amount of time? Clearly the right answer is, “Just the right amount until I open it.” That is not one of the available options when you are considering these closures. And as a consumer who was not privy to that decision, we are back to the same quandary, “How can you know?”

So, in response to the timeless question of “When is the perfect time to open this wine?” the correct answer is “Just before you want to drink it.” It’s a crap shoot. You can never really know for sure. But you can make a reasonably educated guess.

The primary purpose of bottle maturation for Amalie Robert Estate Pinot Noir and Syrah is the refinement of stem tannins, integration of textures, and the development of bottle bouquet. It’s those whole clusters we use during fermentation that impart astringent tannin in our young wines. After 18 to 24 mounts of micro oxidation in barrel, the tannins have softened enough to go to bottle without the use of fining agents*. Then over the next 3 to 5 years the micro oxidation through the cork slowly (or not so much) allows the maturation process to continue in the bottle softening the tannins and building bouquet.

*Fining agents are “things” added to a wine to modify its aroma, flavor or texture. Fining agents can, and have included egg whites, fish bladders, and ox blood. You can read moreabout that here.

Young wines have what is considered “primary fruit” characters, aka cherry/berry. These are inherently good. Most wine consumers are familiar with these flavors as we are human and are prone to consume wine just about as soon as we acquire it. This is yet another reason we do not use cans or screw-offs, nor do we include straws with your purchase.

But sometimes things do not go according to plan. Sometimes we find a bottle that has been “squired away” in a cool space under the stairs for a few years. Hmmm, what’s this? Could it also be inherently good? Before that bottle makes it into the recycling bin, try this.

Set it upright on the kitchen counter, out of the sun, for a couple of days to let any sediment find its way to the bottom of the bottle. Select the appropriate stemware and a decanter and wash them with non-chlorinated water. You can use bottled water if you wish. Carefully remove the cork and in one gentle but deliberate motion pour the wine slowly down the side of the decanter. Do not splash the wine. Stop pouring when you see sediment enter the neck of the decanter. Now pour the wine gently into the stemware, give it a little swirl and bring it up to your nose. This is best done along with an approved taster. Call it a “replicated trial” if you will.

If things go according to plan, you are about to experience the 3 halves of Pinot Noir. The first half is when you smell the bouquet. It should be intriguing with “secondary aromas” that scintillate and are not easy to describe, yet are wonderfully expressive. As the wine explores your palate, you are experiencing the second half of Pinot Noir. The wine should be lithe and elegant yet restrained by refined tannins and firm acidity. It should give you pleasure. When you finally swallow the wine, the third half of Pinot Noir emerges. The remnant flavors and textures linger to give the wine staying power.

The third half of Pinot Noir, that lingering finish, is what bottle matured stem tannins contribute to the Amalie Robert Estate Pinot Noir experience. And with that precious little bit of deepened knowledge, we hope you have enjoyed this FLOG. 

Kindest Regards,

Dena & Ernie


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