Hello and Welcome,
This is the 2015 Spring Cellar
Report from Amalie Robert Estate in Dallas, Oregon.
We have just been “Advocated.”
And as it is the case with most things, this is not inherently good or bad. We
have been Advocated before, and it was pretty good. In fact, we liked it so
much we would like to share it with you here:
"...Dallas growers Dena
Drews and Ernie Pink...showed me this July three of their reserve bottlings and
thereby altered my perception of their endeavors. Since these are produced in
only one- or two-barrel quantities, they offer an extreme instance of a
phenomenon encountered at numerous Willamette addresses, whose really exciting
releases are extremely limited. But they also testify, importantly, to what is
possible; and what’s possible from this site in these hands revealed itself to
be extraordinary!"
That was last time. And it
brought with it a 94 point review for our 2007 The Reserve Pinot Noir. It’s
worth mentioning that the 2007 vintage is rated as 84T in the
eRobertParker
Vintage Chart. It is also worth mentioning that 94 was the top score awarded
for the vintage.
Here is this time with a
different reviewer: “…Amalie's Cuvée Pinot Noir 2010 showed some lovely varietal
expression that you might well mistake for a good Pommard. Their Syrah
Satisfaction 2011 lived up to its name during my tasting that did not fully
convince me that the variety has a home in Oregon, while their Heirloom Cameo
Chardonnay 2011 was one of those "minimal" varietals that you have a
sneaky suspicion will age with ease. I think there is better to come as those
vines increase in age and knowledge deepens, but broadly speaking this was a
good show.”
As most of the wine consuming
inhabitants of this planet know, The Wine Advocate is an institution. It was
founded by a dedicated man with passion and unquestionable morals. For several
years, he alone tasted and reviewed wines accepting no advertising revenue
whatsoever. There could never be any suggestion that his reviews were anything
other than his objective opinion. Whether you agreed with his opinions or not,
they were as true to him as the day is long.
Things change. Today the Wine
Advocate (under different management/ownership) has more than a single voice
and a few of those voices have recently changed. Some of the world’s wine
regions have found themselves with different wine reviewers. Oregon is one of
them, and now shares a reviewer with Bordeaux. At this juncture it is important
to remember the words of Dr. Kaufman, “Wait! I’m just a professional doing a
job.”
Tomorrow never dies and this
institution will survive. Whether you preferred Connery to Craig, or Kirk to
Picard, there will always be a familiar place for “007” and the
Captain ofthe Enterprise. And that is why there are all kinds of wine
reviewers for all kinds of wine consumers.
Vintages change. In fact the only
constant in the wine world seems to be change. Take climate change for example.
Is that inherently good or bad? And the ‘
tator,
same question. And if you are not reading the “
Hosemaster of Wine” from
time to time, you are taking this wine thing a little too seriously. Honestly,
you have to accept the fact that some people have a palate for wine like Van
Gogh had an ear for music.
There will eventually come a day
when we will no longer personally farm our 38 lineal miles worth of vines. We
will then be looking for someone who shares our values and that can carry on
the stewardship of our land. As we look toward that eventual change we can, in
some respects, see what Mr. Parker had been searching for. Change is hard.
Enough of the glib remarks, let’s
get to the cellar!
When the barrels are first filled
they hold the promise of the vintage. Those young wines are the vines’ response
to the ever changing climate and the actions we took in growing them. They are
inherently good.
While it is hard to see, there is
a tremendous amount of work happening below grade. Our barrel room is ensconced
in about 1,200 tons of concrete. Here our wines will mature in barrel until
Dena or Ernie start attributing them to certain blends.
Over time the barrels allow a
small amount of air to pass through the staves and reach the wine. This “micro
oxidation” will have the effect of slowly maturing our whole cluster fermented
stem tannins and integrating the aromas, flavors and textures. New oak barrels
will also impart a flavor into the wine. Someone once called new oak barrels
“catnip for humans” and we can understand that. New wood is inherently good,
and expensive.
However some of our most incredible
experiences have been with wines from barrels that have long lost their
expression. The barrel becomes a transparent vessel that allows the wine to be
the focal point. In that wine, at that moment, you experience the purest
expression of the vintage.
Blending is our final act of wine
growing. After that, it is just filling bottles and stuffing corks in them.
Yeah, put a cork in it… Somebody’s got to do it. And since we do that work in
house, Dena ends up with that chore.
As we begin to taste our Pinot
Noirs from barrel, we are cognizant of David Lett’s words from so many years
ago “…it should be approached like a beautiful woman – with respect, some
knowledge, and great hopes.” This year we celebrate the 50th
anniversary of David and Diana Lett’s Pinot Noir planting in the Willamette
Valley. Thank you.
It is remarkable how each barrel
of wine can be so similar and yet have nuances all its own – no two are ever
the same (somewhat like corks, but we will get to that soon enough.) Some
aromas and flavors tease at the edge of your perception. They exist only for a
moment and then are available to you only as a memory. And they seem to be for
you and you alone. Some people, like Dena, can taste in color. Wine is a
uniquely personal experience.
Once this discovery phase has
been completed, we each locate our individual favorite barrels of wine. Once we
find them we mark the barrel head with chalk and exclaim “Mine!” This is also
inherently good.
The wonderment ends and the
puzzlement begins when we try blending our favorite barrels together. You know
instantly when something has gone awry. What happened to the magic? That finish
is all wrong! Did you pull the right barrel? It becomes trial and error, barrel
by barrel.
But when it is good, it is soooooo really good. And while we
are clearly experiencing our own individual nuances, we know how good it is for
the other. Yeah, let’s do that again… right now! This is when you experience
the transformation of a recreational beverage into a procreational one.
Then the strangest thing happens
– Bottle Shock. Right after bottling the wine seems to go dormant. There is no
aroma or flavor and it is all a juxtaposed mess. It seems coming out of a 225
liter barrel, being mixed up with a bunch of other wine and then gravity filled
into a 750 milliliter bottle and topped off with a bit of tree bark can
put a hitch in your get along.
But after a few months time the
magic reemerges and the process of bottle maturation can begin. While the
experience of blending is committed to memory, bottle maturation is a whole new
journey. The micro oxidation that occurred in the barrel is now occurring
through the cork, but (hopefully) at a much slower rate. This bottle maturation
process lasts years and can transform a brash young wine into a suave and
refined experience. This is not unlike the aging of some men.
That is if you are using a bit of
tree bark that will let in an undisclosed amount of air to help soften and
mature the wine. Cans, synthetics and screw-offs are another matter and are
left as an exercise for the reader.
There are plenty of things to
know, and if you want to know most of them you can just use Google. In fact you
can Google people, like Parker. And you can be Googled, just like you can be
Advocated. Been there, had that done to us.
But one thing you cannot know is
how much air is going to go through that cork to meet up with the wine. But you
can know the reason that you cannot know. The reason you cannot know how much
air is going to go through that cork to meet up with the wine is that the cork
is a unique, one-off piece of tree bark. Until you test it “in situ” you can
never know. And once it is tested, it cannot be used again. This is called DPA
or Destructive Physical Analysis. Sadly, and to the detriment of the bottom
line, DPA is also used to diagnose farm equipment problems. Google it if you
like.
This is one reason why cans,
synthetics and screw-offs are so popular (low cost is another.) You can know
how much air is going to meet up with the wine. Cans seem like a no brainer,
literally. There is no air getting to the wine. Synthetics and screw-offs,
however pose a different challenge.
It is like posing a simple
arithmetic question to an attorney and instead of getting a number, you get
this response instead, “Well, what number would you like it to be?” Since we
are humans, we have developed these closures in such a manner that allows some
air to pass through them and interact with the wine. The question is, “How much
should that be?”
How much air do you want to pass
through to the wine and over what amount of time? Clearly the right answer is,
“Just the right amount until I open it.” That is not one of the available
options when you are considering these closures. And as a consumer who was not
privy to that decision, we are back to the same quandary, “How can you know?”
So, in response to the timeless
question of “When is the perfect time to open this wine?” the correct answer is
“Just before you want to drink it.” It’s a crap shoot. You can never really
know for sure. But you can make a reasonably educated guess.
The primary purpose of bottle
maturation for Amalie Robert Estate Pinot Noir and Syrah is the refinement of
stem tannins, integration of textures, and the development of bottle bouquet.
It’s those whole clusters we use during fermentation that impart astringent
tannin in our young wines. After 18 to 24 mounts of micro oxidation in barrel,
the tannins have softened enough to go to bottle without the use of fining
agents*. Then over the next 3 to 5 years the micro oxidation through the cork
slowly (or not so much) allows the maturation process to continue in the bottle
softening the tannins and building bouquet.
*Fining agents are “things” added
to a wine to modify its aroma, flavor or texture. Fining agents can, and have
included egg whites, fish bladders, and ox blood. You can
read moreabout that here.
Young wines have what is
considered “primary fruit” characters, aka cherry/berry. These are inherently
good. Most wine consumers are familiar with these flavors as we are human and
are prone to consume wine just about as soon as we acquire it. This is yet
another reason we do not use cans or screw-offs, nor do we include straws with
your purchase.
But sometimes things do not go
according to plan. Sometimes we find a bottle that has been “squired away” in a
cool space under the stairs for a few years. Hmmm, what’s this? Could it also
be inherently good? Before that bottle makes it into the recycling bin, try
this.
Set it upright on the kitchen
counter, out of the sun, for a couple of days to let any sediment find its way
to the bottom of the bottle. Select the appropriate stemware and a decanter and
wash them with non-chlorinated water. You can use bottled water if you wish.
Carefully remove the cork and in one gentle but deliberate motion pour the wine
slowly down the side of the decanter. Do not splash the wine. Stop pouring when
you see sediment enter the neck of the decanter. Now pour the wine gently into
the stemware, give it a little swirl and bring it up to your nose. This is best
done along with an approved taster. Call it a “replicated trial” if you will.
If things go according to plan,
you are about to experience the 3 halves of Pinot Noir. The first half is when
you smell the bouquet. It should be intriguing with “secondary aromas” that
scintillate and are not easy to describe, yet are wonderfully expressive. As
the wine explores your palate, you are experiencing the second half of Pinot
Noir. The wine should be lithe and elegant yet restrained by refined tannins
and firm acidity. It should give you pleasure. When you finally swallow the
wine, the third half of Pinot Noir emerges. The remnant flavors and textures
linger to give the wine staying power.
The third half of Pinot Noir,
that lingering finish, is what bottle matured stem tannins contribute to the
Amalie Robert Estate Pinot Noir experience. And with that precious little bit
of deepened knowledge, we hope you have enjoyed this FLOG.
Kindest Regards,
Dena & Ernie